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#66 - July 2022 Tender a response

Tender a response

Editorial for a newly commissioned series by reviews editor-in-residence Sara O’Brien
Comfort and discomfort
#66 - August 2022 Project Series

Performance and Comfort & Discomfort: 3rd Invitation from Good on Paper

In their last of three invitations to Good on Paper, Gordon Douglas and Cicely Farrer reflect on comfort and discomfort in the encounters with and around performance art. Readers can attend a workshop on Sunday 21 August 2022
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#66 - August 2022 Tender a response

Surface Tension

A review of Domestic Bliss, curated by Katie Bruce, by Rhian Williams
Forever
#66 - August 2022 Project Series

Forever

Appendix 4 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Every 3 years
#66 - August 2022 Project Series

Every 3 years

Appendix 3 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Not at all
#66 - August 2022 Project Series

Not at All

Appendix 2 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
Once
#66 - August 2022 Project Series

Once

Appendix 1 of Good on Paper’s third invitation to readers to join a workshop on Performance & Comfort & Discomfort
HAVE YOU SEEN HER
Bodies, Proximity and Place

HAVE YOU SEEN HER

By Lisette May Monroe
Slime Mould research and experimentation slime mould agar Perspex box 2022 photographed by Caitlin Dick RESIZED
#66 - July 2022 Tender a response

Analogies

Enxhi Mandija responds to a speculative exhibition, sometime in Aberdeen. Works by Caitlin Dick and Phoebe McBride
Watts Hughes Voice Figure
#66 - July 2022 Bodies, Proximity and Place

CHURN

A poem by Francis Jones
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#66 - July 2022 Tender a response

Genealogy as a matter of tracking shots: Amie Siegel’s Bloodlines

by Dominic Paterson
Bible Cake
#66 - July 2022 Review

Sickness In The Sacristy

Hayley Jane Dawson reviews recent work by Megan Rudden at Saltspace Gallery, Glasgow
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#66 - July 2022 Tender a response

YOU’VE GOT A NICE VOICE ACTUALLY, SCOTT

A review of Scott Caruth & Alex Hetherington’s joint exhibition Seen and Not Seen by Jess Higgins
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#66 - July 2022 Bodies, Proximity and Place

Shaking the world: Hannah Black’s Tuesday or September or the End

A review by Rosie Woodhouse
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#65 - July 2022
A Year of Carte Blanche & Other Chimeras

Unremembering

by Jen/Eleana Hofer
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#65 - July 2022
A Year of Carte Blanche & Other Chimeras

On Repentance

by Snejanka Mihaylova
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#65 - July 2022
A Year of Carte Blanche & Other Chimeras

Rhythm: the Subtle Noise of Prose, that Road of Many Songs

Project editor Daniela Cascella writes after last month’s commissions by Ella Finer & James Wilkes and Dan Beachy-Quick & Kylan Rice
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#65 - July 2022 Review

Man Hating Psycho by Iphgenia Baal

A review by Kirsty Dunlop
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#14 Summer - June 2008 Review

Books: Uncle Chop Chop

www.aye-aye.eclipse.co.uk
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#59 - October 2020 Through Motion

How to Act

That First Sensitive Stage of Becoming Acquainted: Christian Noelle Charles talks with Adam Benmakhlouf
#25 - July 2011

Commission: Mary Simpson

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#42 - January 2018 Review

Fatal Softness

Henry Broome reviews an exhibition by Pauline Batista and Madeleine Stack at The Koppel Project, London, 17 November 2017 – 6 January 2018
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#37 - October 2016

The confessional reading group

The first instalment of a series of ‘magical correspondences’ with MAP’s archive by Holly Pester
#31 - September 2014

‘A Feminist Chorus’ voices at 5 Blythswood Square

The sound work installed during Glasgow International 2014 is now online
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#9 - March 2007

The Scottish Enlightenment: A Visual Culture

Murdo Macdonald looks back to a time when the visual arts connected organically with other activities to create a powerful expression of intellectual culture
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#16 Winter - November 2008

Merlin James: Yes Yes Yes

Sherman Sam finds an uneasy longing, coupled with affirmative gesture, in the work of contemporary painter Merlin James
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#10 - June 2007 Review

Breaking Step

14 March–10 June 2007, Museum of Contemporary Art, Belgrade
Microbursts
#61 - April 2021 Review

microbursts by Elizabeth Reeder & Amanda Thomson

A review by Loll Jung
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#13 Spring - March 2008

Remarks: The Changing Room

Kirsteen Macdonald on The Changing Room’s new premises
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#49 - February 2019 Review

A Dream of Linnaeus’ Daughter

Phoebe Blatton on two recent exhibitions in Berlin: Navigating Polarities by Marjolijn Dijkman at Nome, and A Dream of Linnaeus’ Daughter by Katarzyna Kozyra at Żak|Branicka
#30 - November 2013

MAP Screen | The Anthropology Effect

For the second installment of MAP Screen, Karen Cunningham selects three works—two clips from vintage television documentaries presented by David Attenborough and John Grierson and a video piece by Glasgow-based artist David Sherry
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#59 - October 2020 Camara Taylor X SBWN

Introduction to the cold

Camara Taylor’s writing launches their curated series looking at ‘the cold’ in its various registers and realities
Shower
#53 - September 2019 New writing series

ACCOMMODATION

Anna McLauchlan concludes this season of new writing inspired by residencies at Inshriach Bothy, Cairngorms
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#59 - October 2020 Review

Letters for/against Wild Invention: Part 3

The final instalment of A+E Collective’s epistolary response to The Wild Book of Invention, Sternberg Press, 2020
Unemployment
#57 - June 2020 Interview

Pictorial Critique

Madeleine Pollard interviews New York based artist and illustrator Pamela Sztybel
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#48 - December 2018 Short Story

BAD LUCK

First in a series of dark fairy tales by Ester Krumbachová, published in conjunction with the exhibition and film programme of the Czech artist’s work at CCA Glasgow, 7 December 2018 - 27 January 2019
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#37 - April 2016

Voicing the Archive

An installation of readings from MAP’s archive at Edinburgh Sculpture Workshop and Centre for Contemporary Arts, Glasgow
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#18 Summer - June 2009 Review

Agnes Nedregard

4–5 April, Stills Gallery, Edinburgh
#24 - November 2010 Review

Traffic: Conceptual Art in Canada 1965–1980

11 September–28 November, University of Toronto Art Galleries
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#59 - October 2020 Event

End of Residency Party: reading, viewing, and sharing

Join special guests hosted by resident Reviews and Project Editors Rosie Roberts and Alison Scott, 22 October 8 - 9.30pm on zoom
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#29 - August 2013

Sex in Architecture

Has urbanism become too polite? Richard Williams explores the concrete evidence in Richard Rogers’s work
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#19 Autumn - September 2009

Remarks: Nottingham Central

Alex Farquharson, curator of the new Nottingham Contemporary, talks about the highlights of the year ahead and beyond 
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#55 - February 2020 MAP Event

you, there, are you there? | MAP at Glasgow Film Festival 2020

Event over. A programme of short film, artist moving image and performance curated by Rosie Roberts and including work by Rhea Storr, Jessica Higgins, Alex Culshaw and Alison Scott. Wednesday, 4 March, 6pm. CCA Cinema
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#30 - November 2013

Polventon

A new collaborative video by Shana Moulton and Lucy Stein
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#7 - September 2006 Review

Douglas Gordon: Timeline

11 JUN–2 OCT, 2006, MOMA, New York
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#56 - April 2020 Review

MOTHER-SHIP

Rose Higham-Stainton attends the launch of MOTHER by Studio Morison at Wicken Fen 29th February 2020
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#10 - June 2007 Review

Semina Culture: Wallace Berman and His Circle

16 January–31 March 2007, Grey Art Gallery, New York University
#28 - May 2013

In the Shadow of the Hand : Object 6a

‘Woman Crawling On Hands And Knees’ Virginia Hutchison responds to Sarah Forrest in the sixth segment of their project ‘In the Shadow of the Hand’. The collaboration can be witnessed on MAP as it unfolds
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#41 - October 2017 Review

Turner Prize 2017

Jay Drinkall visits this year’s Turner Prize exhibition at the Ferens Art Gallery, Hull, 26 September 2017 – 7 January 2018
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#8 - November 2006 Review

Neal Tait: Now is the Discount of our Winter Tents

15 September–21 October 2006, White Cube, London
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#9 - March 2007 Review

John Cage

24 November 2006–7 January 2007, La Casa Encendida, Madrid
#17 Spring - March 2009

Remarks: Lighthouse Space

Janine Sproule introduces Sierra Metro, opened in October 2008 as a new, independent not-for-profit artist run space.