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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

Critical, Criminal, Cri-de-cœur-ish

Continuing her project A Year of Carte Blanche and Other Chimeras, MAP editor Daniela Cascella responds to last month’s contribution by Sharon Kivland
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#65 - May 2022 Project Series

Performance & Energy: 2nd Invitation from Good on Paper

Over six months, Gordon Douglas & Cicely Farrer share a series of invitations looking into the futures of performance art making in Scotland. The second letter invites readers to attend an online workshop Sunday 29 May 2022 from 11am-1pm
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#65 - May 2022 Bodies, Proximity and Place

With Life So Ordinary

By Anna Walsh
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#65 - May 2022 Project Series

Thermal

Appendix 4 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Spiritual

Appendix 3 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Potential

Appendix 2 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - May 2022 Project Series

Kinetic

Appendix 1 of Good on Paper’s second invitation to join a workshop on Performance & Energy
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

The Librarian of the World, Part 2

by Jessica Sequeira
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

The Librarian of the World, Part 1

by Jessica Sequeira
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#65 - April 2022 Review

Time: A Single Basic Fact

Sarah Long visits Ailbhe Ní Bhriain’s An Experiment with Time at CCA, Glasgow
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

ENVOIS V

by Sharon Kivland
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#65 - April 2022
A Year of Carte Blanche & Other Chimeras

Unremembering

by Jen/Eleana Hofer
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#65 - March 2022
A Year of Carte Blanche & Other Chimeras

Writing that Walks Across the Tops of the Trees

Continuing her project A Year of Carte Blanche, MAP editor Daniela Cascella responds to last month’s contributions by Saudamini Deo
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#65 - March 2022 Review

Bite The Hand That Feeds You

Rose Higham-Stainton considers​ forms of domestication and care as control in the work of Yalda Afsah at Kunstverein München
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#65 - March 2022 Review

Fluid Systems

Alice Hill-Woods reviews a collection of poems that ‘understand the quiet, polychromatic force of being seen’
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#64 - March 2022

Room for Folds

Sara O’Brien engages with the At Practise programme hosted by David Dale Gallery, Glasgow
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#65 - March 2022 Project Series

To Entertain

Appendix 4 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#65 - March 2022 Project Series

To Compose

Appendix 3 of Good on Paper’s first invitation to readers to join the Performance & Language workshop
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#55 - January 2020 Journal

Florida

Artist Nicola Murray found herself bamboozled in Florida at the end of last year.
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#3 - August 2005

Report

Tim Abrahams reports on art world activity
#21 Spring - March 2010

On Several Works By Benoît Maire

Jonas Zakaitis investigates the artist’s relationship with logic, myth and the gaps between the two
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#9 - March 2007

The { } Age: Alistair Gentry on the Enlightenment

Pamphleteers of the 18th century didn’t mince their words. And neither does Alistair Gentry, writer and artist, here speaking out on the idea of Enlightenment.
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#22 - June 2010

Remarks: SSW

Dr Nuno Sacramento talks about moving to the north of Scotland as director of Scottish Sculpture Workshop. 
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#12 Winter - November 2007

Remarks: Landmass

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#59 - November 2020 MAP Project

TENANCY Part 8: Tuesday

by Gboyega Odubanjo
#24 - November 2010 Review

Adrian Piper

23 October–11 December, Elizabeth Dee, New York
06 Hannah Black At Chisenhale Gallery Andy Keate
#40 - October 2017 Review

a woman is our happy issue

Nisha Ramayya on ‘Some Context’, Hannah Black’s solo exhibition at Chisenhale Gallery, London, 22 September - 10 December 
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#50 - April 2019 Daily instalment

A typeface narrative on the Ñ and its infected tilde

In 22 parts, one episode was added to the story every weekday throughout April 2019. This narrative by Catalina Barroso-Luque has now concluded and can be read in full.
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#42 - January 2018 Review

Wanderlust

Dominik Czechowski reviews Wanderlust: Actions, Traces, Journeys 1967-2017 at UB Art Galleries, New York, 7 September - 31 December 2017, touring to the Des Moines Art Center, Iowa, 17 February - 13 May 2018
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#64 - November 2021 Short Story

Being Beside Oneself, 2

Part 2 of a selection of writing by Lydia Davies
#5 - January 2006

Bulletin

Artists’ journeys, events and spaces compiled by Isla Leaver-Yap
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#6 - April 2006

Back Page: The Fiery Furnaces

Matthew Friedberger, one half of this Brooklyn duo, talks pyschedelia and tea
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#50 - May 2019 Review

I, I, I, I, I, I, I, Kathy Acker

Institute of Contemporary Arts, London, 1 May–4 Aug. Review by Neil Cooper
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#58 - August 2020 Through Motion

TOP LODGE

A new film by Debi Banerjee, accompanied by a response from her collaborator Morwenna Kearsley. ‘Top Lodge’ invites viewers to join an exuberant game of free movement and doubling, of time, creation, preservation and destruction.
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#18 Summer - June 2009

Counterpart

TJ Carlin talks to Leigh Ledare about personal subjectivity and its reception
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#8 - November 2006 Review

Torsten Lauschmann

2 September–6 October 2007, Mary Mary, Glasgow
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#46 - August 2018 Review

New Order, Other Spaces

Lucy Weir writes on an exhibition by Jo Longhurst exploring the personal and professional in competitive gymnastics. Kelvin Hall, Glasgow, 2 - 12 August
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#10 - June 2007 Review

Marc Bijl, Gerard Byrne, Valerie Jouve

21 April–23 June 2007, Aliceday, Brussels
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#7 - September 2006 Review

Berlin & Bucharest

25 March–5 June 2006, 4th Berlin Biennale 26 May–27 June 2006, 2nd Bucharest Biennale
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#12 Winter - November 2007

Remarks: RSVP—Jim Lambie

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#1 - February 2005

Streetwise

Ruth Beale, artist and founder of the nomadic organisation Aurora, investigates the dynamic scene which originated in Glasgow, and is now driving the young art community in Scotland 
#23 Autumn - September 2010 Review

The Potosí Principle

12 May–6 September 2010, Museo Nacional Centro de Arte Reina Sofía, Madrid
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#20 Winter - November 2009 Review

Dance With Camera

11 September 2009–21 March 2010, ICA, Philadelphia
713px Étienne Carjat Portrait of Charles Baudelaire circa 1862
#56 - March 2020 Review

A possible space for the life of a girl

Nell Osborne considers Lisa Robertson’s debut novel The Baudelaire Fractal
#2 - May 2005

Judgement Day: Plants, Politics and Art

Francis McKee digs into the politics of seeds, GM and ownership, uncovering the evolving open source software of Simon Yuill and Chad McCail which seeks to challenge the state we’re in
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#41 - October 2017 Review

Country Grammar

Ruth Barker reviews ‘Country Grammar’ by Sue Tompkins (featuring work by Luke Fowler) at The Modern Institute Aird’s Lane, Glasgow, 30 September - 4 November
Bothy Before
#53 - September 2019 New writing series

BEFORE, ROAD, INTUITION

Three texts by Sarah Rose. “I remember the score Native by composer Pauline Oliveros which instructs us to, ‘Take a walk at night. Walk so silently that the bottom of your feet become ears.’”
Want
#31 - February 2014

‘My mother,’ wrote Sontag, ‘improved her manners by losing her appetite’

Sick Sick Sick’ : The Books of Ornery Women | A reading project examining a radical or ‘bludgeoned’ subjectivity of female writers | Session Four, CCA, 24 April, 6.30pm
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#19 Autumn - September 2009 Review

Maison Domino

5 July–2 August, 2009, Generator Projects, Dundee
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#23 Autumn - September 2010 Review

Knut Åsdam

27 May–27 August, 2010, Bergen Kunsthall
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#20 Winter - November 2009

Remarks: Pawel Althamer

Suzanne Cotter, curator at Modern Art Oxford, describes Pawel Althamer’s ongoing project Common Task.
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#42 - January 2018 Review

Choreography Concept for Untrained Amateurs

Gordon Douglas responds to a work by performance group, contact Gonzo, at BUoY, Tokyo, 28 - 29 October 2017